Everything about Anapanasati totally explained
Ānāpānasati (
Pali), meaning '
mindfulness of
breathing' ("sati" means mindfulness; "ānāpāna" refers to inhalation and exhalation), is a fundamental form of
meditation taught by
the Buddha. According to this teaching, classically presented in the
Anāpānasati Sutta, practicing this form of meditation as a part of the
Noble Eightfold Path leads to the removal of all defilements (
kilesa) and finally to the attainment of
nibbāna (nirvana).
In both ancient and modern times, anapanasati by itself is likely the most widely used Buddhist method for contemplating bodily phenomena. Traditionally,
anapanasati is used as a basis for practicing
meditative concentration (
samadhi) until it reached the state of
full absorption (
jhana). It is the same state, reached by the Buddha during his quest for Enlightenment. In the
Zen tradition, anapanasati is practiced with
zazen or
shikantaza (in the
Soto tradition). Anapanasati can also be practised with other traditional meditation subjects including the
four frames of reference and
mettā bhāvanā.
Buddhist origins
The Buddha's teaching in this matter was based on his own experience in using anapanasati as part of his means of achieving his own
enlightenment.
The Anāpānasati Sutta specifically concerns mindfulness of inhalation and exhalation, and recommends the practice of ānāpānasati meditation as a means of cultivating the
seven factors of awakening:
sati (mindfulness),
dhamma vicaya (analysis),
viriya (persistence), which leads to
piti (rapture), then to
passaddhi (serenity), which in turn leads to
samadhi (concentration) and then to
upekkhā (equanimity). Finally, the Buddha taught that, with these factors developed in this progression, the practice of ānāpānasati would lead to release (Pali:
nibbāna; Sanskrit: nirvana) from suffering (
dukkha).
The practice
The practice of anāpānasati varies. Typically, one begins by sitting in a comfortable position, with the back and neck straight, in a comfortable and peaceful environment.
The meditator should breathe naturally, without attempting to change the length or depth of the breath. If the breath is short, the meditator should simply observe that the breath is short. If the breath is long, the meditator should simply observe that the breath is long.
While inhaling and exhaling, the meditator practises:
- training the mind to be sensitive to one or more of: the entire body, rapture, pleasure, the mind itself, and mental processes
- training the mind to be focused on one or more of: inconstancy, dispassion, cessation, and relinquishment
- steadying, satisfying, or releasing the mind.
Tutors will explain that, in an untrained mind, thoughts constantly arise, disturbing the focus. They arise and fall away, like waves in an ocean. If one disregards them, they slowly wither and disappear. On the other hand, if one pays them attention, one is soon lost in a web of thoughts.
In this tradition there are two types of thoughts: thoughts from the past and thoughts about the future. These may bring happiness or sadness. It is said that, when left unattended, the mind will flit from one thought to another, wandering aimlessly.
Practitioners are tutored to avoid their practice being disrupted by passing thoughts and to nudge themselves into concentrating on their breathing once again.
A popular non-
canonical method used today, loosely based on the
Visuddhimagga, follows four stages:
counting each breath at the end of exhalation
counting each breath at the beginning of inhalation
focusing on the breath without counting
focusing only on the spot where the breath enters and leaves the nostrils (for example, the nostril and upper lip area).
Stages of Anāpānasati
Formally, there are sixteen stages — or contemplations — of ānāpānasati. These are divided into four tetrads (for example, sets or groups of four). The first four steps involve focusing the mind on breathing, which is the 'body-conditioner' (Pali: kāya-sankhāra). The second tetrad involves focusing on the feelings (vedanā), which are the 'mind-conditioner' (Pali: citta-sankhāra). The third tetrad involves focusing on the mind itself (Pali: citta), and the fourth on 'the truth' (Pali: dhamma). (Compare right mindfulness and satipatthana.)
Any anāpānasati meditation session should progress through the stages in order, beginning at the first, whether the practitioner has performed all stages in a previous session or not.
| Satipatthana |
Anapanasati |
Tetrads |
| 1. Contemplation of the body |
1. Breathing long |
First Tetrad |
| |
2. Breathing short |
| |
3. Experiencing the whole body |
| |
4. Tranquillising the bodily activities |
| 2. Contemplation of feelings |
5. Experiencing rapture |
Second Tetrad |
| |
6. Experiencing bliss |
| |
7. Experiencing mental activities |
| |
8. Tranquillising mental activities |
| 3. Contemplation of the mind |
9. Experiencing the mind |
Third Tetrad |
| |
10. Gladdening the mind |
| |
11. Centering the mind in samadhi |
| |
12. Releasing the mind |
| 4. Contemplation of Dhammas |
13. Contemplating impermanence |
Fourth Tetrad |
| |
14. Contemplating fading of lust |
| |
15. Contemplating cessation |
| |
16. Contemplating relinquishment |
| Table 1. The Four Satipatthanas and the Sixteen Phases of Anapanasati. |
Meditation with breath
Anapanasati is a core meditation practice in Buddhism, especially in the Theravada school, and involves merely being a "passive observer of the natural involuntary breathing
process."
rather than being in control of the breathing. In any case, anapanasati isn't the only breathing-based type of Buddhist meditation. For example, in the Buddhist meditation practices of
Tibet, Mongolia and Japanese Zen meditation, control of the breathing is an important element.
In the throat singing so widely prevalent in the Buddhist monasteries of Tibet and
Mongolia the long slow outbreath during chanting is the core
of the practice. The sound of the chant also serves to focus the mind in one-pointed concentration samadhi, while the sense of self dissolves as awareness becomes absorbed into a realm of pure sound. In Zen meditation, the emphasis is upon maintaining "strength in the abdominal area" (tanden) and slow deep breathing during the
long outbreath, again to assist the attainment of a mental state of one-pointed concentration.
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